MediaVerse Acoustic Study
Comprehensive acoustic design documentation for a professional 4-room media production facility. TechTown Building B3, Basement Level, NW Corner, Damascus, Syria.
01 — Project at a Glance
| Parameter | Value |
|---|---|
| Project | MediaVerse Studio Complex |
| Location | TechTown B3, Basement, NW Corner, Damascus |
| Owner | Obai Sukar |
| Architect | Sara Kalash, Threefold Studio |
| Basis of design | DXF B301–B308, March 28 2026 |
| Zone area | 34.42 m² |
| Rooms | 4 production + 1 buffer spine |
| Ceiling AFF | 275 cm [AC] |
| Float floor | 15 cm Sylomer SR28 + 2×18mm T&G [AC] |
| Perimeter gap | 25mm → backing rod → Tremco [AC] |
| HVAC | Daikin VRF (NOT Samsung) |
| SSOT version | v3.7 (locked) |
02 — Methodology
This acoustic study follows a structured analytical approach derived from the architectural DXF drawings (B301–B308, dated March 28, 2026) provided by Sara Kalash of Threefold Studio.
Data pipeline: DXF → ezdxf (Python extraction) → SSOT v3.7 (locked dataset) → Sabine/Norris-Eyring calculations → verification scripts → this document.
Calculation methods:
| Metric | Method | Standard |
|---|---|---|
| RT60 | Sabine equation | T = 0.161V / A |
| Room modes | Axial mode formula | f = c / (2L) |
| Schroeder frequency | Schroeder equation | f = 2000√(T/V) |
| NC curves | ASHRAE standard | Octave-band SPL limits |
| STC ratings | ASTM E413 | Lab → field derating 3–7 dB |
03 — Zone Geometry
| Parameter | Value |
|---|---|
| South wall | 737 cm |
| North wall | 860 cm |
| East wall | 431 cm |
| NW diagonal | 448 cm |
| Net area | 34.42 m² |
| Slab-to-slab | 340 cm |
| Acoustic ceiling | 275 cm AFF [AC] |
| Float floor | 15 cm buildup [AC] |
| Perimeter gap | 25mm [AC] |
| Column COL_W | 60×50cm at (369.1, 140.6), 10mm air gap [AC] |
| Column COL_E | 60×55cm at (762.1, 138.1) |
04 — Five-Room Layout
VO Live
| Area | 5.31 m² |
| Volume | 14.60 m³ |
| NC | NC-12 |
| RT60 | 0.20s |
Control Room
| Area | 5.43 m² |
| Volume | 14.93 m³ |
| NC | NC-18 |
| RT60 | 0.30s |
Video Studio
| Area | 11.23 m² |
| Volume | 30.88 m³ |
| NC | NC-18 |
| RT60 | 0.25s |
Editing Suite
| Area | 8.56 m² |
| Volume | 23.54 m³ |
| NC | NC-25 |
| RT60 | 0.36s |
Buffer Spine (W5): X = 213.6–228.6 cm, STC 55. Separates west zone (VO Live + Control) from east zone (Studio + Editing). All 5 silencer runs route through the buffer spine.
05 — Room Modes
What Are Room Modes?
Room modes are resonant frequencies determined by room dimensions. At these frequencies, sound waves reflect between parallel surfaces and create standing waves — areas of reinforcement (loud spots) and cancellation (dead spots).
The axial mode formula is: f = c / (2L) where c = 343 m/s (speed of sound) and L = room dimension in meters.
Below the Schroeder frequency, individual modes dominate the room’s response. Above it, modes overlap sufficiently that the sound field becomes statistically diffuse.
| Room | Length (Hz) | Width (Hz) | Height (Hz) | Schroeder (Hz) |
|---|---|---|---|---|
| VO Live | 57.0 | 97.3 | 62.4 | 234 |
| Control | 76.2 | 71.2 | 62.4 | 283 |
| Studio | 35.0 | 74.9 | 62.4 | 180 |
| Editing | 35.0 | 98.0 | 62.4 | 247 |
06 — RT60 Analysis
What Is RT60?
RT60 (Reverberation Time) is the time it takes for sound to decay by 60 dB after the source stops. It is the primary metric for characterizing a room’s acoustic “liveness” or “deadness.”
Calculated using the Sabine equation: T = 0.161V / A where V = room volume (m³) and A = total absorption (sabins).
For recording studios, shorter RT60 values (0.2–0.4s) are preferred to minimize coloration of recordings.
VO Live (B304)
| Band | Target (s) | Achieved (s) | Status |
|---|---|---|---|
| 125 Hz | 0.25 | 0.28 | ✓ Pass |
| 250 Hz | 0.22 | 0.23 | ✓ Pass |
| 500 Hz | 0.20 | 0.20 | ✓ Pass |
| 1 kHz | 0.18 | 0.19 | ✓ Pass |
| 2 kHz | 0.18 | 0.18 | ✓ Pass |
| 4 kHz | 0.18 | 0.17 | ✓ Pass |
Control Room (B311)
| Band | Target (s) | Achieved (s) | Status |
|---|---|---|---|
| 125 Hz | 0.40 | 0.42 | ✓ Pass |
| 250 Hz | 0.38 | 0.38 | ✓ Pass |
| 500 Hz | 0.35 | 0.34 | ✓ Pass |
| 1 kHz | 0.33 | 0.32 | ✓ Pass |
| 2 kHz | 0.33 | 0.31 | ✓ Pass |
| 4 kHz | 0.33 | 0.30 | ✓ Pass |
Video Studio (B312-1)
| Band | Achieved (s) | Status |
|---|---|---|
| 125 Hz | 0.38 | ✓ Pass |
| 250 Hz | 0.33 | ✓ Pass |
| 500 Hz | 0.28 | ✓ Pass |
| 1 kHz | 0.26 | ✓ Pass |
| 2 kHz | 0.25 | ✓ Pass |
| 4 kHz | 0.24 | ✓ Pass |
Editing Suite (B312-2) [AC]
| Band | Achieved (s) | Status |
|---|---|---|
| 125 Hz | 0.52 | ✓ Pass |
| 250 Hz | 0.47 | ✓ Pass |
| 500 Hz | 0.41 | ✓ Pass |
| 1 kHz | 0.38 | ✓ Pass |
| 2 kHz | 0.37 | ✓ Pass |
| 4 kHz | 0.36 | ✓ Pass |
[AC] Editing Suite RT60 of 0.36s is achieved ONLY with 4 absorption panels installed. Without panels, RT60 rises to 0.42s which fails the target. These 4 panels are non-negotiable.
07 — Noise Criteria
What Is NC?
Noise Criteria (NC) is a standard for rating background noise levels in occupied spaces. Each NC rating defines maximum allowable sound pressure levels across octave bands from 63 Hz to 8 kHz.
Lower NC numbers mean quieter rooms. NC-12 is extremely quiet (recording studio grade), while NC-18 is typical for private offices.
| Room | NC Target | 63 | 125 | 250 | 500 | 1k | 2k | 4k | 8k |
|---|---|---|---|---|---|---|---|---|---|
| VO Live | NC-12 | 51 | 40 | 33 | 26 | 22 | 19 | 17 | 16 |
| Control | NC-18 | 54 | 44 | 37 | 31 | 27 | 24 | 22 | 21 |
| Studio | NC-18 | 54 | 44 | 37 | 31 | 27 | 24 | 22 | 21 |
| Editing | NC-25 | 60 | 52 | 45 | 39 | 34 | 30 | 27 | 25 |
08 — STC Wall Ratings
What Is STC?
Sound Transmission Class (STC) is a single-number rating of how well a wall, floor, or ceiling assembly blocks airborne sound. Higher STC = better isolation.
Lab vs Field: Lab STC is measured under ideal conditions. Field STC is typically 3–7 dB lower due to flanking paths, penetrations, and construction quality. Always design to field expectations.
| Wall | ID | Lab STC | Field STC | Assembly |
|---|---|---|---|---|
| North perimeter | W1 | 65 | 58–62 | 300mm concrete + RSIC-1 + 50mm RW + 2×gyp |
| NW diagonal | W2 | 65 | 58–62 | 300mm concrete + RSIC-V clips |
| East server wall | W3 | 62 | 55–59 | 16cm new build + 100mm air gap to server room = 26cm total |
| South rebuilt | W4 | 50 | 44–48 | 2×12.5mm gyp + Green Glue + 100mm studs+RW + 2×12.5mm gyp + Green Glue |
| Buffer spine | W5 | 55 | 49–53 | 2×12.5mm gyp+GG + 100mm studs+RW + 2×12.5mm gyp+GG |
| VO/Control partition | W6 | 53 | 47–51 | Partition with obs. window OW-1 (STC 50) |
| Studio/Editing partition | W7 | 48 | 42–46 | Partition [AC] |
09 — Acoustic Treatment
| Room | Panels | Bass Traps | QRD | Ceiling | Special |
|---|---|---|---|---|---|
| VO Live | 8 | 4 | 0 | Full Rockfon | 1× motorized curtain |
| Control | 2 [AC] | 4 | 2 | 60% cloud | — |
| Studio | 13 | 4 | 2 | 80% Rockfon | 2 additional panels per ISM simulation |
| Editing | 4 [AC] | 2 | 0 | Full Armstrong | Bias lighting |
Total panels: 35 installed, order 38 (4 spares). Panel spec: Rockwool RWA45 50mm, 1200×600mm, NRC 0.90.
[AC] Control Room first-reflection panels (2) and Editing Suite panels (4) are non-negotiable — acoustic performance depends on them.
10 — Mechanical Systems
Cooling Without Noise
The challenge in studio HVAC is delivering adequate cooling without introducing audible noise. Every component — compressor, fan, ductwork, diffuser — generates sound that must be attenuated below the room’s NC target.
Silencers (lined duct sections) absorb sound energy. Longer silencers with lower air velocities achieve greater attenuation. The system uses Daikin VRF (NOT Samsung) with 3 indoor units serving 4 rooms.
IDU Assignment
| IDU | Serves | Type |
|---|---|---|
| IDU-04 | VO Live | Dedicated |
| IDU-03 | Control + Editing | Shared (wye split) |
| IDU-05 | Video Studio | Dedicated |
Silencer Schedule (5 Runs)
| Run | Length | Attenuation | Max Velocity | NC Contribution | Serves |
|---|---|---|---|---|---|
| A | 1500mm | 40dB | 1.5 m/s | NC-12 | VO Live |
| B | 1000mm | 25dB | 2.5 m/s | — | Trunk (splits to B1+B2) |
| B1 | 500mm | 15dB | 2.0 m/s | NC-18 | Control branch |
| B2 | 300mm | 10dB | 2.5 m/s | NC-25 | Editing branch |
| C | 1000mm | 25dB | 2.0 m/s | NC-18 | Video Studio |
11 — Control Room Monitors
Stereo Monitoring Triangle
The monitoring position forms an equilateral triangle with the two speakers. The listener sits at one vertex, with speakers at ±30° from center. This geometry ensures accurate stereo imaging and phantom center.
The listening position at 68% of room depth (1.54m from front wall) places the listener behind the worst room mode peaks, which typically occur at 50% depth.
| Parameter | Value |
|---|---|
| Monitors | Genelec 8030C (L+R) |
| Angle | ±30° stereo triangle |
| Listening position | 1.54m from front wall (68% depth) |
| Removal reason | Below Schroeder 283 Hz — not suitable for 5.43 m² |
12 — Construction Package
The construction documentation package includes installation sequences, treatment layouts, junction details, penetration sealing protocols, testing procedures, and bills of materials. All documents reference SSOT v3.7 and include [AC] markers for acoustically critical items.
| Document | Section | Purpose |
|---|---|---|
| INSTALLATION-SEQUENCE | Construction | Phase-by-phase build order with hold points |
| TREATMENT-LAYOUTS | Construction | Panel placement per room |
| PENETRATION-SEALING | Construction | Acoustic seal details for all penetrations |
| JUNCTION-ISOLATION | Construction | Wall-floor-ceiling junction details |
| TESTING-COMMISSIONING | Construction | Verification protocols |
| INSPECTION-CHECKPOINTS | Construction | QC hold points |
| BOM-TREATMENT | BOMs | Treatment materials schedule |
| BOM-DOORS-WINDOWS | BOMs | Door and window specifications |
| BOM-ELECTRICAL | BOMs | Electrical infrastructure |
13 — Complete File Index
| Section | File | Type | Status |
|---|---|---|---|
| Root | index.html | Hub | ✓ Live |
| Rooms | rooms/index.html | Index | ✓ Live |
| Rooms | rooms/ROOM-VO-LIVE.html | Detail | ✓ Live |
| Rooms | rooms/ROOM-CONTROL.html | Detail | ✓ Live |
| Rooms | rooms/ROOM-STUDIO.html | Detail | ✓ Live |
| Rooms | rooms/ROOM-EDITING.html | Detail | ✓ Live |
| Rooms | rooms/ROOM-BUFFER.html | Detail | ✓ Live |
| Study | study/MAIN-REPORT.html | Report | ✓ Live |
| Study | study/ASSUMPTIONS-LIMITATIONS.html | Report | ✓ Live |
| Construction | construction-guides/INSTALLATION-SEQUENCE.html | Guide | ✓ Live |
| Construction | construction-guides/TREATMENT-LAYOUTS.html | Guide | ✓ Live |
| Construction | construction-guides/PENETRATION-SEALING.html | Guide | ✓ Live |
| Construction | construction-guides/JUNCTION-ISOLATION.html | Guide | ✓ Live |
| Construction | construction-guides/TESTING-COMMISSIONING.html | Guide | ✓ Live |
| Construction | construction-guides/INSPECTION-CHECKPOINTS.html | Guide | ✓ Live |
| Construction | construction-guides/STUDIO-SIGNAL-INFRASTRUCTURE.html | Guide | ✓ Live |
| Construction | construction-guides/LIGHTING-INFRASTRUCTURE.html | Guide | ✓ Live |
| Construction | construction-guides/LOCAL-ALTERNATIVES.html | Guide | ✓ Live |
| Construction | construction-guides/FIRE-LIFE-SAFETY.html | Guide | ✓ Live |
| Construction | construction-guides/WALL-SECTIONS.html | Guide | ✓ Live |
| Construction | construction-guides/DOOR-DETAILS.html | Guide | ✓ Live |
| Construction | construction-guides/FLOOR-CEILING.html | Guide | ✓ Live |
| Construction | construction-guides/MATERIAL-SPECS.html | Guide | ✓ Live |
| Construction | construction-guides/ELEVATIONS.html | Guide | ✓ Live |
| Construction | construction-guides/COMPREHENSIVE-ELEVATIONS.html | Guide | ✓ Live |
| Construction | construction-guides/HVAC-PENETRATIONS.html | Guide | ✓ Live |
| Construction | construction-guides/MASTER-DRAWING.html | Drawing | ✓ Live |
| Construction | construction-guides/SOUND-LOCK-DETAIL.html | Guide | ✓ Live |
| Construction | construction-guides/EQUIPMENT-PLACEMENT.html | Guide | ✓ Live |
| Construction | construction-guides/DESK-FABRICATION.html | Guide | ✓ Live |
| Construction | construction-guides/ACOUSTIC-PANEL-FABRICATION.html | Guide | ✓ Live |
| Construction | construction-guides/ACOUSTIC-DOOR-FABRICATION.html | Guide | ✓ Live |
| Construction | construction-guides/FINISH-SCHEDULE.html | Guide | ✓ Live |
| Construction | construction-guides/HARDWARE-SCHEDULE.html | Guide | ✓ Live |
| Construction | construction-guides/ELECTRICAL-INFRASTRUCTURE.html | Guide | ✓ Live |
| BOMs | bom/MASTER-BOM.html | BOM | ✓ Live |
| BOMs | bom/AV-EQUIPMENT.html | BOM | ✓ Live |
| BOMs | bom/BOM-WALLS.html | BOM | ✓ Live |
| BOMs | bom/BOM-HVAC.html | BOM | ✓ Live |
| BOMs | bom/FLOORING-BOM.html | BOM | ✓ Live |
| BOMs | bom/BOM-TREATMENT.html | BOM | ✓ Live |
| BOMs | bom/BOM-DOORS-WINDOWS.html | BOM | ✓ Live |
| BOMs | bom/BOM-ELECTRICAL.html | BOM | ✓ Live |
| Charts | charts/RT60-COMPARISON.html | Chart | ✓ Live |
| Charts | charts/NC-CURVES.html | Chart | ✓ Live |
| Charts | charts/MODAL-DENSITY.html | Chart | ✓ Live |
| Charts | charts/STC-WALL-COMPARISON.html | Chart | ✓ Live |
| Study | study/DESIGN-DECISIONS.html | Report | ✓ Live |
| Study | study/GLOSSARY.html | Reference | ✓ Live |
| Tools | tools/acoustic-calculator.html | Tool | ✓ Live |
| Tools | tools/FLOOR-PLAN-EXPLORER.html | Tool | ✓ Live |
14 — Professional Notices
Performance Responsibility
All acoustic performance targets (RT60, NC, STC) stated in this document are design predictions based on Sabine/Norris-Eyring calculations using manufacturer-published absorption coefficients and STC ratings. Actual field performance depends on construction quality, material substitutions, and site conditions. Post-construction verification testing is required to confirm compliance.
Field STC Advisory
Field-measured STC values are typically 3–7 dB below laboratory ratings due to flanking paths, penetrations, construction tolerances, and edge conditions. All wall assemblies in this document include both lab STC and estimated field STC ranges. Design decisions should be based on field expectations, not lab ratings.
Isolation Scope Statement
This acoustic design addresses airborne sound isolation between rooms within the MediaVerse zone. It does not address: (a) impact noise from floors above, (b) structure-borne vibration from building mechanical systems, (c) external noise intrusion from outside the basement perimeter, or (d) electromagnetic interference. These items require separate specialist assessment if relevant.
Modification Policy
Elements marked [AC] (Acoustic Critical) in this document are integral to the acoustic performance of the facility. Any modification, relocation, or omission of [AC] elements requires re-evaluation of the affected acoustic calculations and may void the performance predictions stated herein. All proposed changes must be reviewed and approved before implementation.
Basis of Design
This acoustic study is based on architectural DXF drawings B301–B308, dated March 28, 2026, prepared by Sara Kalash of Threefold Studio. All dimensions, room geometries, and spatial relationships are derived from these drawings via ezdxf extraction. Any revision to the architectural drawings after this date may require corresponding updates to the acoustic design.